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My buddy Ben Burnes invited me to participate in his Two Hour Album Challenge. The idea is that bunch of us make songs in two hours, and we put them all on a compilation album.
Back in 2017, HELIUM REQUIEM started as a post-midnight electronic songwriting binge, that I recruited my cousin Nathan Graves to write lyrics and sing on.
But I recently discovered my instrumental-only version that I had sent to Nate for inspiration. It was basically fully-formed and flowed nicely, so I thought I'd release it into the world as is.
Erik Ostrom was working at a Silicon Valley startup when he realized songwriting was his true passion. He has since moved back to Minnesota and found another passion: the improv comedy world. In this episode of Composer Quest, Erik and I talk about his recent performance with The Local Music Scene, a song-based improv comedy troupe. Erik also shares some great stories behind his songs and insights into writing interesting lyrical rhythms.
Jess Scherer and Peter Lund faced a songwriting quandry: what do you write about when you've been happily married for several years? They decided to stretch their imaginations by writing a magical concept album about wizards, and it turned out to be great songwriting fuel. In this episode of Composer Quest, our conversation covers songwriting tips, circuit-bending a teletubby, and a nomination for the greatest Texas jingle of all time.
Composer Bryan Schumann has embraced self-imposed deadlines; he's been consistently making at least one "thing" every week in 2016 and blogging about it. In this episode of Composer Quest, we talk about what he's learned from this experiment. Bryan also talks about his eco-friendly music projects, like a bike-powered electric band and his future solar-powered recording studio.
Anton Torres has been an electronic music hobbyist for over 20 years, using the very earliest incarnations of Apple's Logic and Ableton Live. In today's episode of Composer Quest, Anton shares some wisdom on living a creative life, even if you only have 15 minutes to spare each day. We also hear why Anton decided to leave his suit and tie job in New York to pursue his creative dreams, and how he ended up working at the board game company Asmodee North America.
A few weeks ago, I got to participate in a very fun live composing event at GlitchCon, called Game Music Melee. Three of us composers got up onstage to write video game music on the spot, based on game suggestions from the audience, in JUST 30 MINUTES. Not a lot of time. Emily Reese of the Level with Emily podcast hosted, and after two rounds of composing, she interviewed us about our process. It turned out so cool, I wanted to post it as this week's Composer Quest episode.
Are you a "gardener" composer or an "architect" composer? My new (almost) neighbors Michael Maiorana and Mandy Fassett came over to talk about their different composing styles for today's episode of Composer Quest. They decided that Mandy is usually the "gardener" and Mikey is usually the "architect." In other words, Mandy uses her jazz improv background to grow a musical "seed," not knowing where her composition will end up, and Mikey approaches many of his compositions with a clear structure in mind. But they've come together to create improv looped music with violin, bass, and rubber bands in the project Snak Atak. Also, I got to learn about Faygo, the soda from Mikey's home state and the Insane Clown Posse's drink of choice.
I was inspired by my interview with Cyriak Harris to create a piece of music purely by visually entering MIDI. Although Cyriak listens back and tweaks the notes as he goes, I decided to take it to another level and turn off my speakers until I was totally finished. I also tried to avoid anything I would normally do to make it musically "right," and just make visually-interesting patterns.