Cyborg percussion ensemble Jazari was created by "token human" Patrick Flanagan. He made a kind of robot drum circle that beats on acoustic bongos, cowbells, a djembe, and more. In episode 32 of Composer Quest, Patrick talks with me about his robot band, his day job creating musical iPhone apps, and his reasons for leaving the academic composing world to create dance music.
In episode 31 of Composer Quest, songwriter Matt Leavitt of the indie band Emot talks with me about his belief that the very first time you work on a song is often where the best ideas come from, and anything after that is just trying to recreate this spark of initial inspiration. We also get to hear Matt play a couple new tunes live from Emot's upcoming album, which they've been working on with producer Brian Moen (of Peter Wolfcrier and Laarks).
Brooklyn experimental duo Brian Wenner and Matt O'Hare talk with me about their production process in episode 30 of Composer Quest. In the latest Prism House EP, Reflections, Brian Wenner's beats are made from chopped-up field recordings of pop cans and squeaking doors. Matt O'Hare, the visuals man of the duo, is also a very talented musician. He explains how The Simpsons has helped him become an excellent throat singer.
I was thrilled to talk with Dr. Diana Deutsch, a pioneer in the field of music perception and psychology (she literally wrote the book on music psychology). Diana has discovered a number of famous musical illusions. Prepare to have your mind blown by the octave illusion, the scale illusion, the tritone paradox, the mysterious melody, and the speech-to-song illusion "Sometimes Behave So Strangely," made popular by Radiolab. Diana also explains how composers can benefit from studying these perceptual illusions.
Jazz Pianist George Maurer has been a working composer for over twenty years. In episode 28 of Composer Quest, George imparts his words of wisdom on making a living as a composer. He also shares tips on arranging music for orchestral instruments. George's latest project, Empire Builder, is a musical set on a time-traveling train, and we get to hear George at the piano, talking through his composition process for this musical.
Metal isn't for everyone, but guitarist Devin Earlywine is okay with making music 90 percent of listeners won't enjoy. In Composer Quest Ep. 27, Devin talks about how metal isn't all about doom and gloom. He even admits his band Idiopathic Necrotization started as a joke to have fun with the ridiculousness of the gore death metal genre. In most of his music, Devin tries to avoid thinking of his audience at first, so there are no roadblocks between the purest musical idea from his brain to the finished song.
Most famous for his songwriting in the new wave band The Suburbs, Emmy-winning composer Chan Poling has gravitated lately to performing pop music from other iconic songwriters. His jazz trio, The New Standards, features Chan on piano, John Munson (of Semisonic fame) on bass, and Steve Roehm on vibes. In episode 26 of Composer Quest, Chan talks with me about his arranging, songwriting, and film scoring.
Songwriter Warren Hildebrand of Foxes in Fiction has a special sensory gift. He experiences images and color when he listens to certain music, and hears tones when he sees certain images. In this episode of Composer Quest, we talk about Warren's synesthesia and how it shades his music making. Warren Continue reading... 
Dr. Mary Beth Huttlin is not only a talented composer and clarinetist, but she's also gifted perceptually. She has perfect pitch and a constant stream of melodies in her head to draw from. Mary Beth also experiences auditory-visual synesthesia, meaning she perceives colors when she hears music. In episode 24 of Composer Quest, Mary Beth talks with me about how these gifts affect the way she listens to and makes music. We also discuss why Bach is possibly the coolest composer ever.
Prolific composer Mary Ellen Childs writes music for everything from orchestral instruments to zippers. In episode 23 of Composer Quest, she shares her creative process, which often involves bouncing ideas off of her experimental percussion ensemble Crash. Mary Ellen brings us behind the scenes of a few of her major works, including Click, Dream House, Wreck, and an upcoming project which will combine scents and music.