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Composer Quest Episode 100: Mitchell Johnson Returns

For this special 100th episode of Composer Quest, I thought I'd invite back my songwriter guest from the very first episode: Mitchell Adam Johnson. If you heard that episode, you know Mitchell has a knack for bringing music theory into his pop songwriting. We talk about chord progressions, "bizarro" tritones, Motown bass lines, and deep questions like "What's the purpose of music?" Mitchell is releasing his first ever solo EP, Half Moon Lane, in just a few weeks, and this is a sneak preview of his beautiful new songs. Also, stick around until the end of the episode, and you'll get to hear a new song collaboration between Mitchell and me.

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Superfan Dan Wheeler’s Top 10 Composer Quest Memories

I've been putting out more Composer Quest episodes over the past year and a half than most people can keep up with. So I was taken aback when I heard that Dan Wheeler had listened to all 90+ episodes TWICE (and some three times)! In this 99th Composer Quest episode, Dan shares his top ten moments from the podcast and talks about how they influenced his composing style.

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Melody and Modulation with Composer Coach Jon Brantingham

After his time as a helicopter pilot in the army, Jon Brantingham returned to his love of music theory and composing. He’s been inspiring people with his practical approach to learning composition, which he’s been sharing in his blog and podcast, Art of Composing. In this episode of Composer Quest, Jon and I talk about what makes a good melody, how to modulate using “pivot chords,” and how to channel Beethoven without outright copying him. We also chat about what he’s been learning in his UCLA film scoring program. It’s a longer and more theory-heavy talk than usual, but it got my composer gears going, so I hope you enjoy it too!

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Fargo Composer Jeff Russo on TV Scoring

When Jeff Russo's band Tonic hit it big in the 90s, he was just beginning to get interested in film and television scoring. Now his IMDb page is chock full of major TV credits, including composing for CBS's Hostages, 50 Cent's Power, USA's Necessary Roughness, Showtime's Weeds, etc. His most creatively fulfilling work, though, has been on the FX show Fargo, for which he just got an Emmy nomination. I'm excited to bring you my interview with Jeff, which marks the start of Composer Quest: Season 3.

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Losing Control of Your Music

In the last summer Composer Quest episode, we got to hear from two entertainment lawyers about how to get your music into films and TV, without getting screwed by a bad contract. In this episode, we hear the story of someone who DID get screwed by the music industry, jazz musician Jimmy Norman. He had to keep gigging at age 74 just to scrape by, even though he had worked with the likes of Jimi Hendrix and Bob Marley, and co-wrote the Rolling Stones hit "Time Is on My Side." Jason DeBose, producer of the documentary The Music Never Dies, came in to tell me Jimmy's story.

Also in this episode, we get to hear a philosophical panel discussion from the Minnesota Music Coalition about giving your music away for free. When does it make sense to offer free downloads? And should you let someone else use your music in a film for free?

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A Concept Album for Every Season with Chris Koza

For the Season 2 finale episode of Composer Quest, I interviewed Chris Koza, who had the crazy idea to create four concept albums in one year, following the change in seasons. These Rogue Valley albums turned out to be a huge artistic success. One song even ended up in Ben Stiller's personal collection, and subsequently The Secret Life of Walter Mitty. Chris shares some songwriting tips and tricks, and we dig into the concepts behind his concept albums, like how he wrote a song for each of the 12 full moons.

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Composing Tips from Triple Major Alex Cooke

Alex Cooke majored in Math, Psychology, and Theater, but he eventually came back to his first true passion - music. He's an interesting guy, and in this Composer Quest interview, we talk about everything from composing in odd time signatures to the most common Red Hot Chili Peppers chord progression. He also shares a bunch of practical advice on making your pieces both playable and artistically cohesive.

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Rock and Docs with Composer Silas Hite

I guarantee you've heard music by Silas Hite before. If you didn't play Sims 2 or see Cloudy with a Chance of Meatballs, then you at least heard Silas's score for the ubiquitous Mac vs. PC ads. Silas is proof that freelance composing is a viable career. In this episode of Composer Quest, we talk about his percussion-driven scores for the documentaries The Record Breaker (a Vimeo Top 10 film of 2013), The Invention of Dr. Nakamats, and Stories from the Evacuation. Silas also shares his creative process behind his rock records, and gives some tips on freelance composing.

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Dame Evelyn Glennie on Percussion and Dynamics

Evelyn Glennie lost her hearing by the age of 12, but that didn't stop her from becoming a percussion virtuoso, a three-time Grammy winner, and a Dame Commander of the British Empire. In this Composer Quest interview, she shares some really interesting ideas about dynamics and writing for percussion. We also talk about her collaborations with Bjork, composer John Corigliano, and guitarist and improviser Fred Frith.

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Behind the Curtain of Composing Wizard Tyler Tholl

My talented friend Tyler Tholl evaded coming on the Composer Quest podcast for over a year, but finally my pestering paid off. I was really excited to visit Tyler in his studio and see the man behind the curtain at work. His new Maple & Beech EP Flashes & Floaters (made with drummer Pete James Johnson from episode 15) sounds amazing, and in this episode we get a thorough dissection of the composition and music production techniques Tyler used. We also talk about Tyler's producing for the new Borderline EP by Paul Spring (from episode 11). Stick around until the end, and you'll get to be a fly on the wall in Tyler's studio, as he produces the intro theme to this Composer Quest episode on the spot.

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