A truly unique figure in the electronic music world, Torley describes himself as a "time-traveling, universe-crossing, autistic, cyberpunk monk." I was drawn in by the (over 800!) videos on Torley's YouTube page, many of which are thoughtful talks by Torley on music composition, creativity, and his life experiences. In Composer Quest episode 38, Torley talks with me about Asperger's syndrome, his job in the online world Second Life, and of course, his advice on making otherworldly sounds.
Theater, film, and video game composer Candy Bilyk shares the best piece of advice she ever heard from Katy Perry: "Follow your dreams!" Candy was happy to share her own (actually practical) advice on composing and the music business. In Composer Quest Episode 37, we talk about everything from "synthestration" to grant writing to her opera about a fairy-eating carp.
Minnesota filmmaker Elliot Diviney taught himself to compose film scores to lighten the budget in his money-sucking filmmaking habit. In episode 35 of Composer Quest, Elliot and I talk about his newest political satire musical Problem Solving the Republic, inspired by South Park creators Trey Parker and Matt Stone. We also talk about some famous movie scores. See if you can guess these pieces of trivia before they come up in our conversation.
Cyborg percussion ensemble Jazari was created by "token human" Patrick Flanagan. He made a kind of robot drum circle that beats on acoustic bongos, cowbells, a djembe, and more. In episode 32 of Composer Quest, Patrick talks with me about his robot band, his day job creating musical iPhone apps, and his reasons for leaving the academic composing world to create dance music.
I was thrilled to talk with Dr. Diana Deutsch, a pioneer in the field of music perception and psychology (she literally wrote the book on music psychology). Diana has discovered a number of famous musical illusions. Prepare to have your mind blown by the octave illusion, the scale illusion, the tritone paradox, the mysterious melody, and the speech-to-song illusion "Sometimes Behave So Strangely," made popular by Radiolab. Diana also explains how composers can benefit from studying these perceptual illusions.
Jazz Pianist George Maurer has been a working composer for over twenty years. In episode 28 of Composer Quest, George imparts his words of wisdom on making a living as a composer. He also shares tips on arranging music for orchestral instruments. George's latest project, Empire Builder, is a musical set on a time-traveling train, and we get to hear George at the piano, talking through his composition process for this musical.
A Composer Quest listener in Taiwan, J. Wilson, just sent me this time-lapse video of himself composing music. We see the entire process from the sketches in his notebook to his finished piece. 6,000+ photos later and "Boom! Sonata."
Dr. Mary Beth Huttlin is not only a talented composer and clarinetist, but she's also gifted perceptually. She has perfect pitch and a constant stream of melodies in her head to draw from. Mary Beth also experiences auditory-visual synesthesia, meaning she perceives colors when she hears music. In episode 24 of Composer Quest, Mary Beth talks with me about how these gifts affect the way she listens to and makes music. We also discuss why Bach is possibly the coolest composer ever.
Prolific composer Mary Ellen Childs writes music for everything from orchestral instruments to zippers. In episode 23 of Composer Quest, she shares her creative process, which often involves bouncing ideas off of her experimental percussion ensemble Crash. Mary Ellen brings us behind the scenes of a few of her major works, including Click, Dream House, Wreck, and an upcoming project which will combine scents and music.
In episode 20 of Composer Quest, Sci-fi songwriter and composer John Anealio shares tips on getting your music out to the online world without seeming like a narcissistic party-crasher. For example, following the 80/20 rule for Twitter and Facebook posts will keep your self-promotion in check. John also gives some helpful pointers on writing melodies, and he explains how even a simple song can employ one of Mozart's secret weapons - the Rondo form! John has also set forth a challenge to those who would accept: finish 23 pieces of art in 2013. He believes that if you don't finish and present your songs to the world, "you're just the guy talking about your art, you're not the guy doing it."