In episode 18 of Composer Quest, electroacoustic composer Ted Moore enlightens us about coding music to interact with human performers. He also shares his ideas on choosing a musical form for your piece, like sonata form (ABA) or binary form (AB). We also talk some philosophy when I bring up Ted's piece "Eyes May Be Impaired," which he based on Plato's allegory of the cave.
Guitarist and songwriter Mike Nilles has a secret method for writing melodies: dreaming them up! In episode 17 of Composer Quest, Mike and I swap stories about our dream-inspired songs. We also talk about a few of the groups Mike has played in over the years, from his 70s St. Paul band Smart Alex, to an Italian blues band, to his latest project, The Badinovs.
Jazz trombonist Nick Syman has challenged himself to write a large jazz ensemble piece based on the St. Anthony Falls collapse in 1869. In Episode 16 of Composer Quest, Nick talks about how using a story can help you structure an instrumental piece of music. Nick also explains how the tension and release system of Afro-Cuban rhythms can help make more compelling melodies. And finally, we talk about our experience starting and finishing our Cagetones album in one month last February, for the RPM Challenge.
Jazz drummer Pete James Johnson has recently been getting into sampling his dad's old records to make beats for his DJ project Elephane. In this episode of Composer Quest, Pete shares his beat sampling advice, his experiences composing for jazz trio, and his new method of thinking in terms of "melodies" when he plays a drum solo.
Sam Gorski and Niko Pueringer have built up a fanbase of nearly 1.5 million YouTube subscribers on their channel, Corridor Digital. Sam writes and produces most of the music within a very short deadline. In this episode of Composer Quest, we talk about what goes into his soundtracks for their video-game-themed short films.
Will Van De Crommert produces Hollywood-quality film scores in a humble basement studio at Saint John's University. We talk about composing for film, his portfolio for USC Film School, and how to produce an endorphin-releasing pop tune.
I felt like I was right back in a composition lesson with Dr. Brian Campbell, my former CSB/SJU music professor, when I interviewed him for this episode of Composer Quest. As always, he imparted plenty of wisdom, this time about writing music from a single "seed" and developing that idea. We also talk about form, writing melodies, "robot composers," and using the Japanese aesthetic of "ma" - silence.
Paul Spring was destined to be a poet, being raised in a family of English professor parents, and now having six brothers and sisters who are also English teachers. In this episode of Composer Quest, we get to hear live renditions of four new story songs Paul has been working on, from the hilarious "Type II Diabetes" and "St. Cloud Traffic" to an edgy but thoughtful song trying to make sense of the tragic Newtown, Connecticut school shooting. We also talk about Paul's self-titled album and the very personal stories behind it. I think it's the most moving talk we've had on the show, so a special thanks to Paul for sharing his music and stories.
In this episode, I talk with my girlfriend, Maia Hamann, about how she teaches her young students to compose music. She explains her strategy of breaking music down into individual elements, something all composers could benefit from. Maia also shares tips on composing for bassoon. And we get to hear about her unique experience studying Somali music.
2013 Children's Album Grammy-winner Joe and his fellow Okee Dokee Brother Justin Lansing took a trip down the Mississippi river to write some beautiful bluegrass songs for their album Can You Canoe?